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	<title>Shakeela Shopping &#187; Books</title>
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		<title>Ethnographic Film</title>
		<link>http://shakeela.com/books/ethnographic-film_915.html</link>
		<comments>http://shakeela.com/books/ethnographic-film_915.html#comments</comments>
		<pubDate>Wed, 08 Sep 2010 22:41:03 +0000</pubDate>
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				<category><![CDATA[Books]]></category>
		<category><![CDATA[Ethnographic]]></category>
		<category><![CDATA[Film]]></category>

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		<description><![CDATA[
Product DescriptionFrom reviews of the first edition:    &#8220;Ethnographic Film can rightly be considered a film primer for anthropologists.&#8221;  -Choice    &#8220;This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Ethnographic-Film-Karl-G-Heider/dp/0292714580%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0292714580" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/31lrukDoalL._SL160_.jpg" /></a></p>
<p><b>Product Description</b><br />From reviews of the first edition:    &#8220;Ethnographic Film can rightly be considered a film primer for anthropologists.&#8221;  -Choice    &#8220;This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.&#8221;  -Ethnohistory    Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference.   In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers-Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present &#8220;whole acts,&#8221; &#8220;whole bodies,&#8221; &#8220;whole interactions,&#8221; and &#8220;whole people&#8221; to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.</p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Ethnographic-Film-Karl-G-Heider/dp/0292714580%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0292714580" title="Ethnographic Film" rel="nofollow"><b>Ethnographic Film</b></a>  Special discount with this link</p>
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		<title>Film Production Management 101-2nd edition: Management &amp; Coordination in a Digital Age</title>
		<link>http://shakeela.com/books/film-production-management-101-2nd-edition-management-coordination-in-a-digital-age_908.html</link>
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		<pubDate>Mon, 06 Sep 2010 22:44:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Books]]></category>
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		<category><![CDATA[Management]]></category>
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ISBN13: 9781932907773
Condition: New
Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Product Description  Film Production Management 101 and Patz’ previous Surviving Production were quickly adopted as “the” essential road map to the business and logistics of on-the-job film &#038; television [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Film-Production-Management-101-2nd-Coordination/dp/1932907777%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1932907777" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/3195hyDbSjL._SL160_.jpg" /></a></p>
<ul>
<li>ISBN13: 9781932907773</li>
<li>Condition: New</li>
<li>Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed</li>
</ul>
<p><b>Product Description</b><br /><DIV>  <P>Film Production Management 101 and Patz’ previous <I>Surviving Production</I> were quickly adopted as “the” essential road map to the business and logistics of on-the-job film &#038; television production since 1997. Originally developed from practical tools Patz created for her film and television production career, this new edition has undergone a comprehensive update to address the shifting balance between digital and film technologies and to pave the way as we progress further into the digital age. The book includes everything from budgeting, to managing the production office, to script revisions, to cost reporting, to copyright, to publicity, and much, much more. With Patz’ penchant for sharing knowledge and her knack for communicating concepts, <I>Film Production Management 101</I> continues to be the book you <B>have to have</B> open on your desk for every prep, shoot, and wrap day. The more than 50 useful forms and checklists which are included (and downloadable) will save you time, money, and headaches, working like a pro right from day one.</P></DIV></p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Film-Production-Management-101-2nd-Coordination/dp/1932907777%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1932907777" title="Film Production Management 101-2nd edition: Management &#038; Coordination in a Digital Age" rel="nofollow"><b>Film Production Management 101-2nd edition: Management &#038; Coordination in a Digital Age</b></a>  Special discount with this link</p>
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		<title>Direct Theory: Experimental Film/Video as Major Genre</title>
		<link>http://shakeela.com/books/direct-theory-experimental-filmvideo-as-major-genre_900.html</link>
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		<pubDate>Sat, 04 Sep 2010 22:41:38 +0000</pubDate>
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		<description><![CDATA[
Product Description&#8220;Art is thinking in images.&#8221;—Victor ShklovskyUndulating water patterns; designs etched directly into exposed film; computer- generated, pulsating, multihued light tapestries—the visual images that often constitute experimental film and video provide the basis for Edward S. Small’s argument for a new theory defining this often overlooked and misunderstood genre. In a radical revision of film [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Direct-Theory-Experimental-Video-Major/dp/0809319209%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0809319209" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/510QxZt2z2L._SL160_.jpg" /></a></p>
<p><b>Product Description</b><br /><DIV><DIV><DIV><I></I><P>&#8220;Art is thinking in images.&#8221;—Victor Shklovsky</P><P>Undulating water patterns; designs etched directly into exposed film; computer- generated, pulsating, multihued light tapestries—the visual images that often constitute experimental film and video provide the basis for Edward S. Small’s argument for a new theory defining this often overlooked and misunderstood genre. In a radical revision of film theory incorporating a semiotic system, Small contends that experimental film/video constitutes a mode of theory that bypasses written or spoken words to directly connect Ferdinand de Saussure’s &#8220;signifier&#8221; and &#8220;signified,&#8221; the image and the viewer. This new theory leads Small to develop a case for the establishment of experimental film/video as a major genre.</P><P>Small contends that the aesthetic of experimental film/video would best be understood as a coordinate major genre separate from genres such as fictive narrative and documentary. He employs eight experimental technical/structural characteristics to demonstrate this thesis: the autonomy of the artist or a-collaborative construction; economic independence; brevity; an affinity for animation and special effects that embraces video technology and computer graphics; use of the phenomenology of mental imagery, including dreams, reveries, and hallucinations; an avoidance of verbal language as either dialogue or narration; an exploration of nonnarrative structure; and a pronounced reflexivity—drawing the audience’s attention to the art of the film through images rather than through the mediation of words.</P><P>Along with a theoretical approach, Small provides an overview of the historical development of experimental film as a genre. He covers seven decades beginning in France and Germany in the 1920s with European avant-garde and underground films and ends with a discussion of experimental videos of the 1990s. He highlights certain films and provides a sampling of frames from them to demonstrate the heightened reflexivity when images rather than words are the transmitters: for example, Ralph Steiner’s 1929 <I>H2</I><I>O<B>,</B> </I>a twelve-minute, wordless, realistic study of water patterns, and Bruce Conner’s 1958 <I>A Movie, </I>which unites his themes of war-weapons-death and sexuality not by narrative digesis but by intellectual montage juxtapositions. Small also examines experimental video productions such as Stephen Beck’s 1977 <I>Video Weavings, </I>which has a simple musical score and abstract images recalling American Indian rugs and tapestries.</P><P>Small adds classic and contemporary film theory discussions to this historical survey to further develop his direct-theory argument and his presentation of experimental film/video as a separate major genre. He stresses that the function of experimental film/video is &#8220;neither to entertain nor persuade but rather to examine the quite omnipresent yet little understood pictos [semiotic symbols] that mark and measure our postmodern milieu.&#8221;</P></DIV></div>
</div>
<p>Buy now from Amozon <a href="http://www.amazon.com/Direct-Theory-Experimental-Video-Major/dp/0809319209%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0809319209" title="Direct Theory: Experimental Film/Video as Major Genre" rel="nofollow"><b>Direct Theory: Experimental Film/Video as Major Genre</b></a>  Special discount with this link</p>
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		<title>The Short Screenplay: Your Short Film from Concept to Production</title>
		<link>http://shakeela.com/books/the-short-screenplay-your-short-film-from-concept-to-production_892.html</link>
		<comments>http://shakeela.com/books/the-short-screenplay-your-short-film-from-concept-to-production_892.html#comments</comments>
		<pubDate>Thu, 02 Sep 2010 22:40:59 +0000</pubDate>
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Product DescriptionWith the growth of film festivals, cable networks, specialty home video, and the Internet, there are more outlets and opportunities for screening short films now than at any time in the last 100 years. But before you can screen your short film, you need to shoot it. And before you can shoot it, you [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Short-Screenplay-Production-Aspiring-Filmmakers/dp/1598633384%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1598633384" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/51d4d7YJNRL._SL160_.jpg" /></a></p>
<p><b>Product Description</b><br />With the growth of film festivals, cable networks, specialty home video, and the Internet, there are more outlets and opportunities for screening short films now than at any time in the last 100 years. But before you can screen your short film, you need to shoot it. And before you can shoot it, you need to write it. The Short Screenplay provides both beginning and experienced screenwriters with all the guidance they need to write compelling, filmable short screenplays. Explore how to develop characters that an audience can identify with. How to create a narrative structure that fits a short time frame but still engages the audience. How to write dialogue that&#8217;s concise and memorable. How to develop story ideas from concept through final draft. All this and much more is covered in a unique conversational style that reads more like a novel than a &#8220;how-to&#8221; book. The book wraps up with a discussion of the role of the screenplay in the production process and with some helpful (and entertaining) sample scripts. This is the only guide you&#8217;ll ever need to make your short film a reality!</p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Short-Screenplay-Production-Aspiring-Filmmakers/dp/1598633384%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1598633384" title="The Short Screenplay: Your Short Film from Concept to Production " rel="nofollow"><b>The Short Screenplay: Your Short Film from Concept to Production </b></a>  Special discount with this link</p>
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		<title>Latino Images in Film: Stereotypes, Subversion, and Resistance</title>
		<link>http://shakeela.com/books/latino-images-in-film-stereotypes-subversion-and-resistance_884.html</link>
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		<pubDate>Tue, 31 Aug 2010 22:41:18 +0000</pubDate>
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		<description><![CDATA[
Product Description&#8220;This book fills a void in bringing together Hollywood stereotyping and Latino self-representation in one study. With clarity and insight, Berg demonstrates why it is so important to take such an approach.&#8221;  &#8211;Chon Noriega, author of Shot in America: Television, the State, and the Rise of Chicano Cinema    The bandido, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Latino-Images-Film-Stereotypes-Subversion/dp/0292709072%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0292709072" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/410ENBD90WL._SL160_.jpg" /></a></p>
<p><b>Product Description</b><br />&#8220;This book fills a void in bringing together Hollywood stereotyping and Latino self-representation in one study. With clarity and insight, Berg demonstrates why it is so important to take such an approach.&#8221;  &#8211;Chon Noriega, author of Shot in America: Television, the State, and the Rise of Chicano Cinema    The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady&#8211;these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping.   In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood&#8217;s portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.</p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Latino-Images-Film-Stereotypes-Subversion/dp/0292709072%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0292709072" title="Latino Images in Film: Stereotypes, Subversion, and Resistance " rel="nofollow"><b>Latino Images in Film: Stereotypes, Subversion, and Resistance </b></a>  Special discount with this link</p>
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		<title>Film Studies: The Basics</title>
		<link>http://shakeela.com/books/film-studies-the-basics_875.html</link>
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		<pubDate>Sun, 29 Aug 2010 22:43:07 +0000</pubDate>
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Product DescriptionThis engaging and accessible introduction explores the intricacies of the film world to show how anyone can gain a broader understanding and a more pleasurable experience of film.  Addressing general questions about why and how to study film, topics discussed include:      the movie industry, from Hollywood to Bollywood [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Film-Studies-Basics-Amy-Villarejo/dp/0415361389%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0415361389" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/41yTh8DjW1L._SL160_.jpg" /></a></p>
<p><b>Product Description</b><br /><P>This engaging and accessible introduction explores the intricacies of the film world to show how anyone can gain a broader understanding and a more pleasurable experience of film.</P>  <P>Addressing general questions about why and how to study film, topics discussed include:</P>  <UL>  <P></P>  <LI>the movie industry, from Hollywood to Bollywood</LI>  <LI>who does what on a film set</LI>  <LI>the history, the technology and the art of cinema</LI>  <LI>theories of stardom, genre and film-making.</LI>  <P></P></UL>  <P></P>  <P>Including illustrations and examples from an international range of films drawn from over a century of movie-making and a glossary of terms for ease of reference, <EM>Film Studies: The Basics</EM> is a must-have guide for any film student or fan.</P></p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Film-Studies-Basics-Amy-Villarejo/dp/0415361389%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0415361389" title="Film Studies: The Basics" rel="nofollow"><b>Film Studies: The Basics</b></a>  Special discount with this link</p>
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		<title>Five Stars! How to Become a Film Critic, The World&#8217;s Greatest Job</title>
		<link>http://shakeela.com/books/five-stars-how-to-become-a-film-critic-the-worlds-greatest-job_866.html</link>
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		<pubDate>Fri, 27 Aug 2010 22:41:22 +0000</pubDate>
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Product DescriptionSo you want to be a film critic and review movies for a living? Veteran film critic Christopher Null teaches you, step by step, how to break into the business with the lessons he&#8217;s learned from more than a decade in the industry. Five Stars! will teach you all you need to know!  [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.amazon.com/Stars-Become-Critic-Worlds-Greatest/dp/0972098119%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0972098119" rel="nofollow"><img style="float:left;margin: 0 20px 10px 0;" src="http://ecx.images-amazon.com/images/I/41M4uIpRagL._SL160_.jpg" /></a></p>
<p><b>Product Description</b><br />So you want to be a film critic and review movies for a living? Veteran film critic Christopher Null teaches you, step by step, how to break into the business with the lessons he&#8217;s learned from more than a decade in the industry. <i>Five Stars!</i> will teach you all you need to know!<br />    &#8211; Understand movie history and the mechanics of filmmaking &#8212; <b>without the film snob jargon</b>!<br />  &#8211; Learn how to write a review, <b>step by step</b> <br />  &#8211; Get into every movie <b>for free</b> and never pay to go to the movies again!<br />  &#8211; Get <b>free DVDs</b> &#8212; before anyone else!<br />  &#8211; Break into <b>professional writing</b> in newspapers, magazines, and online<br />  &#8211; Launch a movie review website, recruit staff, and <b>start your own business</b> as a critic<br />  &#8211; Learn how to <b>approach editors</b> &#8212; from the experts themselves<br />  &#8211; <b>Build an audience</b> for your work<br />  &#8211; Interview celebrities and <b>hang out with the stars</b>!<br />      <i>Five Stars!</i> is <b>the only book </b>on the market that shows you <b>exactly</b> how to become a <b>professional movie reviewer</b>, step by step! It&#8217;s an absolute must-read for any aspiring film critic! <b>256 pages</b> &#8212; packed with essential information!</p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Stars-Become-Critic-Worlds-Greatest/dp/0972098119%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0972098119" title="Five Stars! How to Become a Film Critic, The World's Greatest Job" rel="nofollow"><b>Five Stars! How to Become a Film Critic, The World&#8217;s Greatest Job</b></a>  Special discount with this link</p>
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		<title>Film as Art</title>
		<link>http://shakeela.com/books/film-as-art_858.html</link>
		<comments>http://shakeela.com/books/film-as-art_858.html#comments</comments>
		<pubDate>Wed, 25 Aug 2010 22:41:38 +0000</pubDate>
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				<category><![CDATA[Books]]></category>
		<category><![CDATA[Film]]></category>

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		<description><![CDATA[
Product DescriptionIn the fall of 1957 the University of California Press expanded Arnheim&#8217;s 1933 book Film by four essays and brought that landmark work back into print as Film as Art. Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim&#8217;s method, provocative in [...]]]></description>
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<p><b>Product Description</b><br />In the fall of 1957 the University of California Press expanded Arnheim&#8217;s 1933 book <i>Film</i> by four essays and brought that landmark work back into print as <i>Film as Art.</i> Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim&#8217;s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium&#8217;s early limitations: no sound, no color, no three-dimensional depth.</p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Film-as-Art-Rudolf-Arnheim/dp/0520248376%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0520248376" title="Film as Art" rel="nofollow"><b>Film as Art</b></a>  Special discount with this link</p>
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		<title>The Horror Film</title>
		<link>http://shakeela.com/books/the-horror-film_848.html</link>
		<comments>http://shakeela.com/books/the-horror-film_848.html#comments</comments>
		<pubDate>Mon, 23 Aug 2010 22:42:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Horror]]></category>

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		<description><![CDATA[
Product DescriptionWhat do people love about horror? This text provides a comprehensive investigation into the appeal of this controversial film genre.
Buy now from Amozon The Horror Film  Special discount with this link
]]></description>
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<p><b>Product Description</b><br /><P>What do people love about horror? This text provides a comprehensive investigation into the appeal of this controversial film genre.</P></p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Horror-Film-Peter-Hutchings/dp/0582437946%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0582437946" title="The Horror Film" rel="nofollow"><b>The Horror Film</b></a>  Special discount with this link</p>
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		<title>Film and Literature: An Introduction and Reader</title>
		<link>http://shakeela.com/books/film-and-literature-an-introduction-and-reader_839.html</link>
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		<pubDate>Sat, 21 Aug 2010 22:41:24 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Introduction]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Reader]]></category>

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		<description><![CDATA[
Product DescriptionThis book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature. KEY TOPICS: Film and Literature: A Reader presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The [...]]]></description>
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<p><b>Product Description</b><br />This book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature. <B>KEY TOPICS:</I></B> <I>Film and Literature: A Reader</I></B> presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The book provides landmark discussions of different genres and practices (such as poetry and movies or film scripts as literature) through writings by such figures as Vachel Lindsay, Walter Benjamin, and Alexander Astruc. It presents a concise, but detailed history of film and literature and the critical terms and techniques used in film and literary analysis as well as a detailed history of the bond between film and literature, from theatrical narratives of the silent film era to recent blockbuster adaptations of Shakespeare and Jane Austen. It also features introductions to each essay and suggests how the essays may be used to analyze works involving film and literature. An essential resource for every reader interested in film.</p>
<p>Buy now from Amozon <a href="http://www.amazon.com/Film-Literature-Introduction-Timothy-Corrigan/dp/0135265428%3FSubscriptionId%3D1BJ67JS76ZJYQP2VNF02%26tag%3Dtravelculture%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0135265428" title="Film and Literature: An Introduction and Reader" rel="nofollow"><b>Film and Literature: An Introduction and Reader</b></a>  Special discount with this link</p>
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